What should you double track?
What Should You Double Track?
What instruments do you use to double track?
The 2 most common types of sounds to do double tracking on are: Vocals and Rhythm Guitar. But you can use it for any type of instrument. For example, if you record a full section of violins or any other type of instruments, you automatically get the effect of double tracking in that recording.
Why should you double track guitars?
The effect of double tracking will give your sound much more width and richness as opposed to copy & pasting your initial guitar track. If you zoom in on the wave forms within your DAW you’ll notice that each guitar take is distinct. These distinctions is what gives the sound its unique flavor.
Do you need to double track vocals?
This technique simply transcends what a single vocal track can achieve. Human voices are limited and can easily get overthrown in a mix. With so much else going on in the mix (panned instruments, effects, etc.), doubling vocals allows the voice to stand out in a unique way, and can add greater depth to your mix.
Should bass be double tracked?
In general, doubling your bass tracks can help thicken up the low end and add some extra heft to the overall sound. It can also help to mask any imperfections in your playing, since the second track will cover up any mistakes you might make.
Should you double track every instrument?
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Did Metallica double track?
Metallica had just scored an endorsement deal with Mesa Boogie, and it took them a few days to dial in their new guitar sound in the studio. Then, getting that thick, muscular crunch was all about double-tracking—dozens of times over, in mind-boggling detail.
Why do people double track?
Ever since the 1950s, double tracking vocals, whether manually or artificially, has been common practice in music production, and for good reason. Double tracking adds richness and character to a vocal, and panning those doubles creates width and depth in a production.
Should I double track everything?
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Does duplicating a track make it louder?
Duplicating the track will make the volume louder. This type of double might even be used to add some energy or color when treated with a parallel-processing technique, like drastic EQ, compression, or distortion.
Why should bass be mono?
Why do we put our bass in mono Since the human ear cannot distinguish the direction of bass, stereo imaging does more harm than good. This is especially true when playing in a live environment because most clubs either play in mono, or they sum their low-end frequencies to mono.
When should you double track?
You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
What instruments do you use to double track
The 2 most common types of sounds to do double tracking on are: Vocals and Rhythm Guitar. But you can use it for any type of instrument. For example, if you record a full section of violins or any other type of instruments, you automatically get the effect of double tracking in that recording.
Why you should double track guitars
The effect of double tracking will give your sound much more width and richness as opposed to copy & pasting your initial guitar track. If you zoom in on the wave forms within your DAW you'll notice that each guitar take is distinct. These distinctions is what gives the sound its unique flavor.
Cached
Do you need to double track vocals
This technique simply transcends what a single vocal track can achieve. Human voices are limited and can easily get overthrown in a mix. With so much else going on in the mix (panned instruments, effects, etc.), doubling vocals allows the voice to stand out in a unique way, and can add greater depth to your mix.
Cached
Should bass be double tracked
In general, doubling your bass tracks can help thicken up the low end and add some extra heft to the overall sound. It can also help to mask any imperfections in your playing, since the second track will cover up any mistakes you might make.
Should you double track every instrument
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Did Metallica double track
Metallica had just scored an endorsement deal with Mesa Boogie, and it took them a few days to dial in their new guitar sound in the studio. Then, getting that thick, muscular crunch was all about double-tracking—dozens of times over, in mind-boggling detail.
Why do people double track
Ever since the 1950s, double tracking vocals, whether manually or artificially, has been common practice in music production, and for good reason. Double tracking adds richness and character to a vocal, and panning those doubles creates width and depth in a production.
Should I double track everything
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Does duplicating a track make it louder
Duplicating the track will make the volume louder. This type of double might even be used to add some energy or color when treated with a parallel-processing technique, like drastic EQ, compression, or distortion.
Why should bass be mono
Why do we put our bass in mono Since the human ear cannot distinguish the direction of bass, stereo imaging does more harm than good. This is especially true when playing in a live environment because most clubs either play in mono, or they sum their low-end frequencies to mono.
When should you double track
You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Did Van Halen double track
A stylistic decision to not double-track
Take Eddie Van Halen's guitar on Van Halen's debut record, where all the guitars are single-tracked.
What artists use double tracking
Examples. Double tracking was pioneered by Buddy Holly. John Lennon particularly enjoyed using the technique for his vocals while in the Beatles. Lennon's post-Beatles albums frequently employed doubling echo on his vocals in place of the ADT.
Is double tracking Cheating
You're not exactly cheating, though you'll create phase cancellations when summed to mono. Playing the part again introduces slight variations in rhythm, note timbre, and dynamics.
Do rappers double track
What are vocal doubles Vocal doubles are when you record a vocal track and then record a second vocal track usually emphasizing key parts of the verse. Rappers and singers have traditionally recorded vocal doubles (informally called “vocal dubs”) on the ending phrases of every bar or half a bar…
How loud should a 2 track beat be
Handling the Beat
So, the very first thing you'll want to do is pull the 2-track's level down to give yourself some headroom. If you don't you'll be hitting 0 just because you're playing the instrumental back. I usually find 6 dB to be enough, but there are some particularly loud beats that have required more.
Should bass track be mono or stereo
As a general rule of thumb, it's considered common practice to sum anything below 200hz to mono. This means your bass, sub-bass, and kick drum will almost always be summed to mono.
What tracks should be in mono
Vocals and any direct-in instrument (ex. bass, electric guitar, keyboard) are recorded in mono. But you can still get a wider, stereo effect on something you've recorded in mono.
Should you double track everything
As a general rule, you should not always automatically double-track guitars. You should double-track guitars when you want a guitar part to sound wide and fill the stereo space. This especially applies to rock music. Double tracking is most appropriate on rhythm guitars, much less on lead parts.
Should acoustic guitars be double tracked
Doubling acoustic guitars produces a lush, full sound that adds texture and density to your mix. Try using a capo on the double so you have a higher inversion and a more complex chord voicing. Also try a different guitar, like a smaller body or a different tuning, even a 12-string or Nashville-tuned guitar.
What type of cheating is worse
Cheating on a spouse or significant other is sure to cause feelings of jealousy and hurt in the spurned partner. But men and women differ on what part of cheating they think is the worst: Men tend to be more bothered by sexual infidelity, while most women are bothered more by emotional infidelity.
What activities are considered cheating
Infidelity, or cheating, is the act of being unfaithful to a spouse or other partner. It typically means engaging in sexual or romantic relations with a person other than one's significant other, breaking a commitment or promise in the act. Each case of infidelity is different and fulfills a different need.
What dB should beat be in a mix
So long as your mixes give the mastering engineer room to work, and cover your noise floor, then you're in a good range. I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB.
What dB should I put for the beat
Thus, it is best to record vocal renditions with an average of -18 dB, assuming you are using the standard definition 24-bit. However, louder parts such as screams or breakdowns should be -10dB. This works the other way around – the loudest and quietest recordings should be at least -24 dB.
What tracks should be mono
Vocals and any direct-in instrument (ex. bass, electric guitar, keyboard) are recorded in mono. But you can still get a wider, stereo effect on something you've recorded in mono.